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                        <loc>https://spacestation.fm</loc>
            
            
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                        <loc>https://spacestation.fm/schedule-panel</loc>
            
            
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                        <loc>https://spacestation.fm/about</loc>
            
            
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                                            <image:caption>&lt;b&gt;&lt;span class=&quot;all-caps-title&quot; style=&quot;--font-scale: 1.77;&quot;&gt;&lt;sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/b&gt;</image:caption>
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            <url>
                        <loc>https://spacestation.fm/library-1</loc>
            
            
            <lastmod>2026-09-08T01:29:58+00:00</lastmod>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;h2&gt;&lt;b&gt;SOIL: REWILDING THE UNDERGROUND &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.thesoilpodcast.com/about#team&quot; target=&quot;_blank&quot;&gt;FREYA MULVEY &amp;#x26; JESS HAMILTON&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;At the turn of the 20th century, a 3,000km fence was built across the Australian continent to prevent the spread of invasive rabbits into cropland in Western Australia. Decades later, scientists and farmers began to notice an unusual phenomenon: the weather was completely different on either side of the fence.  &lt;br /&gt;

&lt;br /&gt;
It is this story that begins the book Freya Mulvey co-wrote with her soil scientist father Phil Mulvey: &lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://www.groundbreakingpress.com/&quot;&gt;Ground Breaking: Soil Security and Climate Change&lt;/a&gt;&lt;/i&gt;&lt;/b&gt; (2021). &lt;br /&gt;

&lt;br /&gt;
In 2024 Freya got in touch with &lt;a href=&quot;https://www.jessica-hamilton.com&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Jess Hamilton&lt;/b&gt;&lt;/a&gt; - a documentary podcast producer with a background in environmental &amp;#x26; climate storytelling - to create &lt;b&gt;&lt;a href=&quot;https://www.thesoilpodcast.com/podcast&quot; target=&quot;_blank&quot;&gt;SOIL&lt;/a&gt;&lt;/b&gt;, and bring the stories of the life underground to a broad audience. &lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;SOUND AND MORE-THAN-HUMAN WORLDS  &lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://seismograf.org&quot; target=&quot;_blank&quot;&gt;SEISMOGRAF&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;The audio papers featured here from &lt;a href=&quot;https://seismograf.org/en/about&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Seismograf &lt;/b&gt;&lt;/a&gt;engage with more-than-human worlds through diverse perspectives, from animist worldviews to notions of alien sociality, and incorporating a broad spectrum of artistic practices and research methodologies. They all approach sound as a source for knowledge, exploring novel perspectives on the interplay between the human and the more-than-human through sound. Collectively these audio pieces express a multiplicity of anthropophonic, biophonic and geophonic soundings. And, they provide a plethora of approaches, and ways of listening, to sound and vibration - captured in the oceans, within tree trunks, with aeolian harps, but also drawn from the inner workings of technologies for digital signal processing. </image:caption>
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;CLOCKSHOP LA&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by&lt;a href=&quot;https://clockshop.org&quot; target=&quot;_blank&quot;&gt; CLOCKSHOP&lt;/a&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;This month the Berkeley Space Station is featuring two programs from Clockshop: &lt;a href=&quot;https://clockshop.org/project/radio-imagination/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Radio Imagination&lt;/b&gt;&lt;/a&gt; which celebrates the life and work of Octavia Butler, and &lt;a href=&quot;https://clockshop.org/project/south-of-fletcher-podcast/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;South of Fletcher&lt;/b&gt; &lt;/a&gt;which explores the Bowtie neighborhood of Los Angeles which once housed one of Southern California’s largest rail yards.&lt;b&gt;&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://clockshop.org&quot; target=&quot;_blank&quot;&gt;Clockshop&lt;/a&gt;&lt;/b&gt; is a Los Angeles-based arts and culture nonprofit that produces free public programming and commissions contemporary artist projects on public land to better connect Angelenos to the land they live on. 
&lt;br /&gt;
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&lt;a href=&quot;https://clockshop.org/projects/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Their projects&lt;/b&gt;&lt;/a&gt; center working-class communities of color in Los Angeles and aim to support the wellbeing and vitality of multiple communities.&lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;COLLOQUIUM KICKBACK&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://geography.berkeley.edu/people/graduate-students&quot; target=&quot;_blank&quot;&gt;UC BERKELEY GRAD STUDENTS&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;b&gt;&lt;/b&gt;Colloquium Kickback is a series coordinated and run by graduate students in the UC Berkeley Department of Geography.  
&lt;br /&gt;&lt;br /&gt;
For Berkeley graduate students in the department,&lt;b&gt; &lt;a href=&quot;https://events.berkeley.edu/geog&quot; target=&quot;_blank&quot;&gt;Colloquium&lt;/a&gt;&lt;/b&gt; is a big part of the scholarly community. Each week throughout the academic year, visiting scholars, faculty members, and students present, discuss, and critique cutting-edge geographic research. &lt;br /&gt;&lt;br /&gt;
In each Colloquium Kickback episode, a student from the department sits down with a prominent scholar to have a broader conversation about their work. 
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;SONIC GEOGRAPHIES&lt;/b&gt;&lt;/h2&gt;by UC BERKELEY STUDENTS&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://sonicgeographies.org&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Sonic Geographies&lt;/b&gt; &lt;/a&gt;is a course from the &lt;b&gt;&lt;a href=&quot;http://geography.berkeley.edu/&quot;&gt;Department of Geography at UC Berkeley&lt;/a&gt;&lt;/b&gt;. &lt;br /&gt;

&lt;br /&gt;
The aim of the course is to investigate how audio recording and walking can be used as methodologies for exploring our environment and the people that shape it. Students make field recordings and conduct interviews as they move through public spaces of the city. They then edit and structure their sound recordings to express their understandings, feelings, and experiences of that place. &lt;br /&gt;

&lt;br /&gt;
For the past two iterations of the class, the walks have been guided by creeks througout the Bay Area.</image:caption>
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;HERE THERE BE DRAGONS &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.htbdpodcast.com/about&quot; target=&quot;_blank&quot;&gt;JESS MYERS&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;https://www.htbdpodcast.com&quot; target=&quot;_blank&quot;&gt;Here There Be Dragons&lt;/a&gt;&lt;/b&gt; is inspired by medieval cartographers’ depictions of sea monsters and demons hovering over unexplored land or dangerous territories. &lt;b&gt;&lt;a href=&quot;https://www.htbdpodcast.com/seasons&quot; target=&quot;_blank&quot;&gt;Each season&lt;/a&gt;&lt;/b&gt; explores contemporary urban territories and engages with residents on the concept of security narratives, and the “dragons” that perpetuate them.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://soa.syr.edu/live/profiles/1181-jess-myers&quot; rel=&quot;history&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Jess Myers&lt;/b&gt;&lt;/a&gt; is an Assistant Professor in the School of Architecture at Syracuse University. She is an urbanist whose practice includes work as an editor, writer, podcaster, and curator. Her research engages sound and multimedia platforms as a means to explore the politics of occupancy in urban conditions.&lt;br /&gt;
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;h2&gt;&lt;/h2&gt;&lt;h2&gt;&lt;b&gt;ECOTONE&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.instagram.com/niamhobrienharp/?hl=en&quot; target=&quot;_blank&quot;&gt;NIAMH O’BRIEN&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;b&gt;&lt;a href=&quot;https://www.niamhharpmusic.com/ecotone&quot; target=&quot;_blank&quot;&gt;ECOTONE: A Sonic Journey Through Kildimo-Pallaskenry&lt;/a&gt;&lt;/b&gt;, was first broadcast from Ringmoylan Pier in Co.Limerick in September 2021. It brings together voices from Kildimo-Pallaskenry, sounds from the Shannon Estuary, and an original musical score. It was shared with the public using a short range FM transmitter. Listeners tuned in on their car radios and hand held transistors, or listened in on radios placed along the pier.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;https://www.niamhharpmusic.com&quot; target=&quot;_blank&quot;&gt;Niamh O’Brien&lt;/a&gt;&lt;/b&gt; is a harp player, singer, composer, and sound artist. She was awarded a PhD by the University of Limerick in 2024 for her research in sonic arts and deep mapping. She was awarded a Fulbright Scholarship in 2024-26 to explore the work of Irish folklore and traditional music collectors at CU Boulder. 
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;h2&gt;&lt;b&gt;SOIL: REWILDING THE UNDERGROUND &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.thesoilpodcast.com/about#team&quot; target=&quot;_blank&quot;&gt;FREYA MULVEY &amp;#x26; JESS HAMILTON&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;At the turn of the 20th century, a 3,000km fence was built across the Australian continent to prevent the spread of invasive rabbits into cropland in Western Australia. Decades later, scientists and farmers began to notice an unusual phenomenon: the weather was completely different on either side of the fence.  &lt;br /&gt;

&lt;br /&gt;
It is this story that begins the book Freya Mulvey co-wrote with her soil scientist father Phil Mulvey: &lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://www.groundbreakingpress.com/&quot;&gt;Ground Breaking: Soil Security and Climate Change&lt;/a&gt;&lt;/i&gt;&lt;/b&gt; (2021). &lt;br /&gt;

&lt;br /&gt;
In 2024 Freya got in touch with &lt;a href=&quot;https://www.jessica-hamilton.com&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Jess Hamilton&lt;/b&gt;&lt;/a&gt; - a documentary podcast producer with a background in environmental &amp;#x26; climate storytelling - to create &lt;b&gt;&lt;a href=&quot;https://www.thesoilpodcast.com/podcast&quot; target=&quot;_blank&quot;&gt;SOIL&lt;/a&gt;&lt;/b&gt;, and bring the stories of the life underground to a broad audience. &lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;HOME OF THE BRAVE  &lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://transom.org/2001/scott-carrier-on-radio/&quot; target=&quot;_blank&quot;&gt;SCOTT CARRIER &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;Scott Carrier is a writer, photographer, and award-winning independent radio producer. In 2015, he started producing &lt;b&gt;&lt;a href=&quot;https://homebrave.com/&quot; target=&quot;_blank&quot;&gt;Home of the Brave&lt;/a&gt;&lt;/b&gt;, an ongoing independent podcast with about 100,000 subscribers. He has criss-crossed North America, from Tijuana to Yellowstone to the Gulf Coast and traveled as far as Nepal, Honduras, and Dubai, in search of answers about the subjects that disturb him the most, like war and migration, partisanship and self-righteousness, and the state of the planet.&lt;br /&gt;
&lt;br /&gt;
We are featuring &lt;b&gt;&lt;a href=&quot;https://homebrave.com/episodes-season-three&quot; target=&quot;_blank&quot;&gt;Season 3&lt;/a&gt;&lt;/b&gt; of Home of the Brave which includes a handful of episodes from Beirut and others on the burgeoning fascism in the United States. &lt;br /&gt;
&lt;br /&gt;
Consider &lt;b&gt;&lt;a href=&quot;https://homebrave.com/checkout/donate?donatePageId=67ae1293048d2e0cca72f616&quot; target=&quot;_blank&quot;&gt;supporting Scott &lt;/a&gt;&lt;/b&gt;and his independently produced podcast.&lt;br /&gt;

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                                            <image:caption>&lt;h2&gt;&lt;b&gt;JOURNAL OF THE SOUTHWEST RADIO&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://u&quot; target=&quot;_blank&quot;&gt;SOUTHWEST CENTER&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;The &lt;b&gt;&lt;a href=&quot;https://swc.arizona.edu/&quot; target=&quot;_blank&quot;&gt;University of Arizona’s Southwest Center&lt;/a&gt;&lt;/b&gt; has sustained a program of exemplary publication on the region since 1987.&lt;br /&gt;
&lt;br /&gt;
It is the peculiar ambition of &lt;i&gt;JSW &lt;/i&gt;to pay attention to the histories of tradition and change which so define this unique region.  By so doing, it is our scholarly hope that better, more unified understandings of our region - its peoples, its past and present - will emerge through the vehicle of literate and scholarly writing on the Southwest. &lt;i&gt;&lt;a href=&quot;https://swc.arizona.edu/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Journal of the Southwest&lt;/b&gt; &lt;/a&gt;&lt;/i&gt;is a comprehensive publication with a special consciousness of place. &lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;https://jsw.arizona.edu/multimedia/podcasts/&quot; target=&quot;_blank&quot;&gt;Journal of the Southwest Radio&lt;/a&gt; &lt;/b&gt;brings together the voices of researchers, educators, activists and community members working to better understand the region’s past and envision possible new futures.  &lt;br /&gt;
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