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                        <loc>https://spacestation.fm</loc>
            
            
            <lastmod>2026-02-16T05:27:52+00:00</lastmod>
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                        <loc>https://spacestation.fm/schedule-panel</loc>
            
            
            <lastmod>2026-02-15T23:42:40+00:00</lastmod>
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            <url>
                        <loc>https://spacestation.fm/about</loc>
            
            
            <lastmod>2026-06-02T17:55:52+00:00</lastmod>
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                                            <image:caption>&lt;b&gt;&lt;span class=&quot;all-caps-title&quot; style=&quot;--font-scale: 1.77;&quot;&gt;&lt;sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/b&gt;</image:caption>
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                                            <image:caption>&lt;b&gt;&lt;span class=&quot;all-caps-title&quot; style=&quot;--font-scale: 1.77;&quot;&gt;&lt;sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/b&gt;</image:caption>
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            <url>
                        <loc>https://spacestation.fm/library-1</loc>
            
            
            <lastmod>2026-06-02T17:50:51+00:00</lastmod>
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;HERE THERE BE DRAGONS &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.htbdpodcast.com/about&quot; target=&quot;_blank&quot;&gt;JESS MYERS&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;https://www.htbdpodcast.com&quot; target=&quot;_blank&quot;&gt;Here There Be Dragons&lt;/a&gt;&lt;/b&gt; is inspired by medieval cartographers’ depictions of sea monsters and demons hovering over unexplored land or dangerous territories accompanied by the phrase &lt;i&gt;hic sunt dracones,&lt;/i&gt; “here be dragons”. &lt;a href=&quot;https://www.htbdpodcast.com/seasons&quot; target=&quot;_blank&quot;&gt;Each season&lt;/a&gt; explores contemporary urban territories and engages with residents on the concept of security narratives, and the “dragons” that perpetuate them.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://soa.syr.edu/live/profiles/1181-jess-myers&quot; rel=&quot;history&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Jess Myers&lt;/b&gt;&lt;/a&gt; is an Assistant Professor in the School of Architecture at Syracuse University. She is an urbanist whose practice includes work as an editor, writer, podcaster, and curator. Her research engages sound and multimedia platforms as a means to explore the politics of occupancy in urban conditions.&lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;HOME OF THE BRAVE  &lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://transom.org/2001/scott-carrier-on-radio/&quot; target=&quot;_blank&quot;&gt;SCOTT CARRIER &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;Scott Carrier is a writer, photographer, and award-winning independent radio producer. In 2015, he started producing &lt;b&gt;&lt;a href=&quot;https://homebrave.com/&quot; target=&quot;_blank&quot;&gt;Home of the Brave&lt;/a&gt;&lt;/b&gt;, an ongoing independent podcast with about 100,000 subscribers. He has criss-crossed North America, from Tijuana to Yellowstone to the Gulf Coast and traveled as far as Nepal, Honduras, and Dubai, in search of answers about the subjects that disturb him the most, like war and migration, partisanship and self-righteousness, and the state of the planet.&lt;br /&gt;
&lt;br /&gt;
Consider &lt;b&gt;&lt;a href=&quot;https://homebrave.com/checkout/donate?donatePageId=67ae1293048d2e0cca72f616&quot; target=&quot;_blank&quot;&gt;supporting Scott &lt;/a&gt;&lt;/b&gt;and his independently produced podcast.&lt;br /&gt;

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                                            <image:caption>&lt;h2&gt;&lt;b&gt;SOUND AND MORE-THAN-HUMAN WORLDS  &lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://seismograf.org&quot; target=&quot;_blank&quot;&gt;SEISMOGRAF&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;The audio papers featured here from &lt;a href=&quot;https://seismograf.org/en/about&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Seismograf &lt;/b&gt;&lt;/a&gt;engage with more-than-human worlds through diverse perspectives, from animist worldviews to notions of alien sociality, and incorporating a broad spectrum of artistic practices and research methodologies. They all approach sound as a source for knowledge, exploring novel perspectives on the interplay between the human and the more-than-human through sound. Collectively these audio pieces express a multiplicity of anthropophonic, biophonic and geophonic soundings. And, they provide a plethora of approaches, and ways of listening, to sound and vibration - captured in the oceans, within tree trunks, with aeolian harps, but also drawn from the inner workings of technologies for digital signal processing. </image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;h2&gt;&lt;/h2&gt;&lt;h2&gt;&lt;b&gt;SONIC ENTANGLEMENTS&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://http://joelwanek.com&quot; target=&quot;_blank&quot;&gt;meLê yamomo&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;Sonic Entanglements podcast examines the history of sound in Southeast Asia, through conversations with sound experts: historians, archivists, sound engineers, artists, and scholars. &lt;br /&gt;&lt;br /&gt;Sonic Entanglements is hosted and produced by &lt;b&gt;&lt;a href=&quot;https://site.meleyamomo.com/&quot;&gt;meLê yamomo&lt;/a&gt;.&lt;/b&gt; &lt;b&gt;&lt;a href=&quot;https://sonic-entanglements.com/home/people/thijs-van-den-geest/&quot;&gt;Thijs van den Geest&lt;/a&gt;&lt;/b&gt; is our sound engineer and sound editor, and &lt;a href=&quot;https://sonic-entanglements.com/home/people/jean-francis-barcena/&quot;&gt;&lt;b&gt;Jean Barcena&lt;/b&gt;&lt;/a&gt; is our publicity manager. Our theme music is created by Markus Hoogervorst. This podcast is funded by the &lt;a href=&quot;https://www.nwo.nl/projecten/275-63-011-0&quot;&gt;&lt;b&gt;Dutch Research Organization&lt;/b&gt;&lt;/a&gt;. &lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;h2&gt;&lt;b&gt;MÉLIA ROGER: DAWN CHORUS &amp;#x26; HONG KONG PROTEST &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.meliaroger.com&quot; target=&quot;_blank&quot;&gt;MÉLIA ROGER&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;Field recordist and artist &lt;b&gt;&lt;a href=&quot;https://www.instagram.com/meliarog/&quot; target=&quot;_blank&quot;&gt;Mélia Roger&lt;/a&gt;&lt;/b&gt; is engaged to inspire ecological change with environmental and empathic listening. Her work explores the sonic poetics of the landscape, searching for the invisible layers between human and non-humans. Coming from a sound engineering background (ENS Louis-Lumière in Paris, ZHdK in Zurich), Mélia is developing a twofold activity between immersive 7.0.2 sound recordings within HAL, as well as a more experimental and naturalistic approach to listening. Now at Le Fresnoy, she is a practice-based PhD candidate at the University of Lille, focusing on the relations between sound arts and acoustic ecology.&lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;SOCIAL BROADCASTS&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.socialbroadcasts.co.uk/founder&quot; target=&quot;_blank&quot;&gt;LUCIA SCAZZOCCHIO&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;‘Social Broadcasting’ combines community engagement, co-creation, audio production and broadcasting techniques, where everyday conversations and narratives can create meaningful insights around broader social themes. &lt;b&gt;&lt;a href=&quot;https://www.socialbroadcasts.co.uk/audio-works&quot;&gt;Social Broadcasts&lt;/a&gt; &lt;/b&gt;are often collaborative and immersive, experimenting with many different forms of audio as well as creating interactive environments where the public are invited to share and record their own experiences and stories. We believe that everyone has a story but they need the right context and framework to be heard. &lt;br /&gt;
&lt;br /&gt;
Featured this month is the series: &lt;b&gt;&lt;/b&gt; &lt;a href=&quot;https://www.socialbroadcasts.co.uk/broadcastoverview/residentfrequencies&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Cherrytree Chronicles&lt;/b&gt;&lt;/a&gt; which through a series of sonic vignettes depicts a day in the life of The Cherry Tree Shopping Centre in Liscard, Wallasey, UK.  &lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;HERE THERE BE DRAGONS &lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://www.htbdpodcast.com/about&quot; target=&quot;_blank&quot;&gt;JESS MYERS&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;a href=&quot;https://www.htbdpodcast.com&quot; target=&quot;_blank&quot;&gt;Here There Be Dragons&lt;/a&gt;&lt;/b&gt; is inspired by medieval cartographers’ depictions of sea monsters and demons hovering over unexplored land or dangerous territories accompanied by the phrase &lt;i&gt;hic sunt dracones,&lt;/i&gt; “here be dragons”. &lt;a href=&quot;https://www.htbdpodcast.com/seasons&quot; target=&quot;_blank&quot;&gt;Each season&lt;/a&gt; explores contemporary urban territories and engages with residents on the concept of security narratives, and the “dragons” that perpetuate them.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://soa.syr.edu/live/profiles/1181-jess-myers&quot; rel=&quot;history&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Jess Myers&lt;/b&gt;&lt;/a&gt; is an Assistant Professor in the School of Architecture at Syracuse University. She is an urbanist whose practice includes work as an editor, writer, podcaster, and curator. Her research engages sound and multimedia platforms as a means to explore the politics of occupancy in urban conditions.&lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;CLOCKSHOP LA&lt;/b&gt; &lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/h2&gt;by&lt;a href=&quot;https://clockshop.org&quot; target=&quot;_blank&quot;&gt; CLOCKSHOP&lt;/a&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;This month the Berkeley Space Station is featuring two programs from Clockshop: &lt;a href=&quot;https://clockshop.org/project/radio-imagination/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Radio Imagination&lt;/b&gt;&lt;/a&gt; which celebrates the life and work of Octavia Butler, and &lt;a href=&quot;https://clockshop.org/project/south-of-fletcher-podcast/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;South of Fletcher&lt;/b&gt; &lt;/a&gt;which explores the Bowtie neighborhood of Los Angeles which once housed one of Southern California’s largest rail yards.&lt;b&gt;&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://clockshop.org&quot; target=&quot;_blank&quot;&gt;Clockshop&lt;/a&gt;&lt;/b&gt; is a Los Angeles-based arts and culture nonprofit that produces free public programming and commissions contemporary artist projects on public land to better connect Angelenos to the land they live on. 
&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://clockshop.org/projects/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Their projects&lt;/b&gt;&lt;/a&gt; center working-class communities of color in Los Angeles and aim to support the wellbeing and vitality of multiple communities.&lt;br /&gt;
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                                            <image:caption>&lt;h2&gt;&lt;b&gt;COLLOQUIUM KICKBACK&lt;/b&gt;&lt;/h2&gt;by &lt;a href=&quot;https://geography.berkeley.edu/people/graduate-students&quot; target=&quot;_blank&quot;&gt;UC BERKELEY GRAD STUDENTS&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;b&gt;&lt;/b&gt;Colloquium Kickback is a series coordinated and run by graduate students in the UC Berkeley Department of Geography.  
&lt;br /&gt;&lt;br /&gt;
For Berkeley graduate students in the department,&lt;b&gt; &lt;a href=&quot;https://events.berkeley.edu/geog&quot; target=&quot;_blank&quot;&gt;Colloquium&lt;/a&gt;&lt;/b&gt; is a big part of the scholarly community. Each week throughout the academic year, visiting scholars, faculty members, and students present, discuss, and critique cutting-edge geographic research. &lt;br /&gt;&lt;br /&gt;
In each Colloquium Kickback episode, a student from the department sits down with a prominent scholar to have a broader conversation about their work. 
&lt;br /&gt;

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                                            <image:caption>&lt;h2&gt;&lt;b&gt;SONIC GEOGRAPHIES&lt;/b&gt;&lt;/h2&gt;by UC BERKELEY STUDENTS&lt;br /&gt;
&lt;br /&gt;&lt;a href=&quot;https://sonicgeographies.org&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Sonic Geographies&lt;/b&gt; &lt;/a&gt;is a course from the &lt;b&gt;&lt;a href=&quot;http://geography.berkeley.edu/&quot;&gt;Department of Geography at UC Berkeley&lt;/a&gt;&lt;/b&gt;. &lt;br /&gt;

&lt;br /&gt;
The aim of the course is to investigate how audio recording and walking can be used as methodologies for exploring our environment and the people that shape it. Students make field recordings and conduct interviews as they move through public spaces of the city. They then edit and structure their sound recordings to express their understandings, feelings, and experiences of that place. &lt;br /&gt;

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For the past two iterations of the class, the walks have been guided by creeks througout the Bay Area.</image:caption>
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